Printers

Best Printer For Screen Printing Transparencies 2026

You're standing in your screen printing studio, film positive in hand, only to hold it up to the light and see muddy edges and streaky halftones that will ruin your emulsion exposure. The culprit isn't your emulsion or your exposure unit — it's almost always the printer you used to produce that transparency. Getting the right printer for screen printing transparencies is one of the most consequential equipment decisions you'll make, because a poor film positive cascades into every shirt, poster, and tote bag that follows.

Screen printing transparencies demand a printer that lays down dense, opaque black ink on clear acetate or vellum film, producing sharp edges and solid coverage that block UV light completely during exposure. Standard office printers fail here not because of their paper handling, but because their ink density and droplet precision simply aren't calibrated for the task. In 2026, the best options come from Epson's wide-format and EcoTank lines, with Canon offering a compelling alternative for artists who prioritize maximum print size at a lower entry price. Whether you're running a professional shop or setting up a home printing studio, this guide breaks down every viable option in clear, practical terms.

The products below were evaluated against three non-negotiable criteria for screen printing work: maximum print size relative to your typical frame size, ink opacity on film, and total cost of ownership over a high-volume production run. Screen printing as a craft demands precision at every stage, and the film positive is where that precision either gets locked in or compromised. Read through to find the printer that matches your workflow and budget, then check the buying guide at the end for the decision framework that separates the right purchase from an expensive mistake.

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List Of Top Printer For Screen Printing Transparencies

Standout Models in 2026

Full Product Breakdowns

1. Epson EcoTank ET-15000 — Best Overall for Screen Printing Studios

Epson EcoTank ET-15000 Wireless Color All-in-One Supertank Printer

The Epson EcoTank ET-15000 is the printer most professional screen printers reach for when they need consistent, high-opacity output on film without the ongoing cost burden of cartridge replacement. Its supertank reservoir system holds enough ink to produce thousands of film positives before you need to refill, and Epson's precision micro-piezo print head delivers the droplet control necessary to achieve crisp, hard edges on fine detail work. The 13 x 19-inch maximum print size means you can produce film positives for large T-shirt graphics, banner designs, and multi-panel prints without tiling or compromising your artwork dimensions.

The all-in-one design includes a scanner, copier, and fax, which makes the ET-15000 a genuine workhorse for a small shop that needs to digitize artwork, proof designs, and communicate with clients from a single machine. Built-in 802.11b/g/n wireless lets you send jobs from your design computer, tablet, or phone without being physically tethered to the printer, while Ethernet and USB connections give you the flexibility to integrate it into a wired production network. The print quality on film is exceptional when you load the correct ICC profile for your RIP software, and the ink cost per print drops dramatically compared to standard cartridge-fed printers, which matters enormously when you're pulling dozens of film positives per week.

One important consideration is that the ET-15000, like all EcoTank models, uses dye-based inks rather than pigment inks, and dye inks can be slightly less opaque on film than pigment alternatives when printing solid black areas at maximum density. You can compensate by running a RIP software solution or adjusting your printer driver's ink density settings, and most experienced screen printers find the output more than adequate for standard spot color and halftone work. The sheer economics of the supertank system — combined with the large print format and reliable wireless performance — make this the top pick for studios that print regularly and want to control their consumables cost without sacrificing output quality.

Pros:

  • Supertank reservoirs dramatically reduce per-print ink cost compared to cartridge systems
  • 13 x 19-inch maximum output covers virtually all standard screen printing frame sizes
  • All-in-one functionality with wireless, Ethernet, and USB connectivity for flexible studio integration

Cons:

  • Dye-based inks may require density adjustments or RIP software for maximum film opacity
  • Large footprint makes it unsuitable for tight spaces or mobile setups
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2. Epson WorkForce WF-7720 — Best Wide-Format Workhorse

Epson WorkForce WF-7720 Wireless Wide-format Color Inkjet Printer

The Epson WorkForce WF-7720 is the printer that bridges the gap between consumer convenience and professional-grade wide-format output, and it does so at a price point that makes it accessible to independent screen printers and small print shops alike. Powered by Epson's PrecisionCore print technology, the WF-7720 produces borderless prints up to 13 x 19 inches with the kind of edge sharpness and tonal accuracy that translates directly into clean film positives for your exposure unit. PrecisionCore's heat-free technology means the print head produces consistent droplets without the thermal variation that can affect density uniformity across large solid areas — a critical advantage when you need solid black coverage across an entire film positive with no fade or banding.

The WF-7720 supports Wi-Fi Direct in addition to standard wireless and Ethernet, which means you can connect your design device directly to the printer without routing through a network router — useful in workshop settings where network infrastructure is minimal. Amazon Dash Replenishment readiness is built in, though for screen printing use you'll likely be ordering bulk ink well ahead of any automated trigger. The dual paper cassette configuration, combined with the rear specialty media feed, gives you the flexibility to keep standard paper loaded for proofing while your acetate or vellum film stays loaded in the second tray, eliminating the constant media swapping that slows production runs.

The WF-7720 uses pigment-based black ink alongside dye-color inks, and that pigment black is a significant advantage for screen printing transparency work because pigment inks sit on top of the film surface rather than absorbing into it, resulting in denser, more opaque black areas. If you're comparing this printer to its sibling the WF-7710, the 7720's automatic two-sided printing and dual input trays alone justify the price difference for any shop printing more than a handful of film positives per session. For a thorough comparison of wide-format options at different price tiers, the best wide format photo printers guide covers the broader landscape in detail.

Pros:

  • PrecisionCore heat-free technology delivers consistent droplet size and excellent black density on film
  • Dual input trays allow simultaneous loading of film and paper media without constant swapping
  • Wi-Fi Direct, wireless, Ethernet, and USB connectivity covers every studio network configuration

Cons:

  • Cartridge ink costs add up at high production volumes compared to EcoTank alternatives
  • Print speed on wide-format film media is slower than standard paper output
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3. Epson WorkForce WF-7710 — Best Budget Wide-Format Option

WorkForce WF-7710 Wireless Wide-format Color Inkjet Printer

If you need wide-format capability at the most accessible entry price in this category, the Epson WorkForce WF-7710 delivers the core functionality that screen printers require without the additional features that push the WF-7720 into a higher tier. The WF-7710 handles borderless prints up to 13 x 19 inches using the same PrecisionCore technology found in its sibling model, meaning you get the same fundamental print head precision and ink droplet control that makes Epson's wide-format inkjets the industry standard for film positive production. At dimensions of 22.3 x 19.1 x 13.4 inches, the WF-7710 occupies a meaningful footprint in any studio, but that size is the direct result of its ability to process film sheets that exceed standard letter and legal dimensions.

The WF-7710's all-in-one print, scan, copy, and fax capability gives you the same workflow versatility as the WF-7720, and the wireless plus Wi-Fi Direct connectivity ensures you can drive jobs from any device in your studio. The primary trade-off compared to the WF-7720 is the single input cassette, which means you'll need to manually swap between film media and standard paper when alternating between proofing and production runs. For a screen printer who prints film positives in dedicated batches rather than interleaving them with other print jobs, this limitation is largely irrelevant and the WF-7710 performs the core task of producing dense, accurate film positives with the same quality as the higher-priced model.

Amazon Dash Replenishment support is built in, and Epson's cartridge ecosystem for this printer is widely available, making replacement ink straightforward to source even in markets with limited local availability. If your print volume is moderate and you're setting up your first dedicated screen printing station, the WF-7710 represents the most cost-effective path to wide-format film positive capability without compromising on the print quality that determines your exposure results. Pair it with a quality RIP software solution or adjust your driver settings for maximum black density on film, and this printer will serve a busy single-operator screen printing setup reliably through 2026 and beyond.

Pros:

  • PrecisionCore technology delivers professional film positive quality at the lowest wide-format entry price
  • All-in-one design with wireless, Wi-Fi Direct, and USB connectivity
  • 13 x 19-inch maximum format covers all standard screen printing sizes

Cons:

  • Single input cassette requires manual media swapping between film and paper jobs
  • No automatic two-sided printing, which limits utility for non-transparency tasks
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4. Epson SureColor P700 — Best Professional-Grade Choice

Epson SureColor P700 13-Inch Printer

The Epson SureColor P700 occupies a different tier than every other printer on this list, and if you're a professional screen printer who demands absolute maximum black density on film without any compromise, this is the printer you've been looking for. Built around the all-new UltraChrome PRO10 ink system with ten distinct ink channels including a dedicated violet ink for extended color gamut, the P700 applies ink to film with a precision and density that no consumer-grade inkjet printer can match. The new 10-channel MicroPiezo AMC print head maintains remarkable consistency across print runs, delivering the same black density on the first film positive of the day as it does on the fiftieth — a consistency that matters enormously when you're running multi-color separation work that requires each film to match exactly.

What separates the P700 from the WorkForce and EcoTank options above is the dedicated Matte Black nozzle channel, which operates independently from the Photo Black channel without requiring any ink switching or purging cycle. In a screen printing context, the Matte Black ink produces a denser, more opaque black on transparency film than Photo Black, and having both channels available without switching means you can move between media types instantly without wasting ink on purge cycles. This dedicated channel architecture also means the print head maintains peak optical density on every transparency sheet, which translates directly into cleaner emulsion exposure, sharper detail in halftones, and better underbase opacity for dark garment printing.

The P700 is a 13-inch printer, meaning it handles film up to 13 inches wide, which covers the majority of professional screen printing applications. If you're running oversized prints that require film beyond 13 inches, you'll need to step up to a larger format machine, but for the vast majority of T-shirt, poster, and label work, the P700's format is sufficient. The premium price point reflects the professional-grade construction, ink system, and output quality, and if you're printing screen printing film for a living, the investment pays back through superior exposure results, reduced remake rates, and the ability to hold fine detail that cheaper printers simply cannot achieve. Photographers comparing this printer to photo-oriented models will find detailed analysis in the best printer for giclee prints guide, which covers the P700's color reproduction capabilities in a fine art context.

Pros:

  • 10-channel UltraChrome PRO10 ink system with dedicated Matte Black delivers maximum film opacity
  • No Photo/Matte Black switching — both ink types available simultaneously via dedicated nozzles
  • MicroPiezo AMC print head maintains consistency across extended production runs

Cons:

  • Premium price point significantly higher than WorkForce or EcoTank alternatives
  • 13-inch maximum width won't accommodate oversized screen printing frames
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5. Epson EcoTank Photo ET-8550 — Best for Mixed Photo and Film Work

Epson EcoTank Photo ET-8550 Wireless Wide-format Color All-in-One

The Epson EcoTank Photo ET-8550 is the printer you want if your studio produces both screen printing film positives and high-quality photographic prints, because it handles both applications with genuine competence without forcing you to maintain two separate machines. The six-color Claria ET Premium ink system with its cartridge-free supertank reservoirs delivers the broad color gamut and tonal accuracy required for photo printing, while also applying dense, accurate black coverage to film media for screen printing transparency work. The wide-format capability extends to 13 x 19 inches, giving you the same maximum print area as the ET-15000 and the WorkForce lineup, and the high-accuracy Epson print head maintains the edge sharpness necessary for clean film positive output.

The ink cost advantage of the supertank system is particularly compelling for a studio that prints both transparencies and photographs at meaningful volume, because the ET-8550's per-print cost undercuts standard cartridge printers dramatically across both use cases. Printing a 4 x 6-inch photo costs approximately four cents with the ET-8550's refillable tank system compared to roughly forty cents with traditional cartridge printers — a cost structure that matters even more when you're printing dozens of film positives per production run. The 4.3-inch color touchscreen provides intuitive navigation, the automatic two-sided printing function handles document work efficiently, and the scanner and copier integration rounds out the all-in-one value proposition.

The ET-8550 accommodates specialty media up to 1.3mm thick, which means it handles standard transparency films and acetate sheets without feed issues, and the support for CD and DVD printing surfaces gives you additional media flexibility beyond standard flat sheet media. The 15-second 4 x 6-inch photo print speed indicates the ET-8550's print engine is designed for throughput, not just quality, which translates to reasonable film positive production speed during busy sessions. If you're splitting your printer's workload between client photo reproduction and screen printing film output and you want to do both without compromise, the ET-8550 is the most versatile single machine on this list.

Pros:

  • Supertank six-color system handles both photo printing and film positive production cost-effectively
  • 13 x 19-inch wide-format support with specialty media handling up to 1.3mm thickness
  • 4.3-inch touchscreen and auto two-sided printing add significant workflow convenience

Cons:

  • Six-color dye ink system may require density optimization for maximum black opacity on film
  • Higher upfront cost than the ET-15000 despite similar wide-format capability
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6. Canon PIXMA iP8720 — Best Canon Option for Film Positives

Canon PIXMA iP8720 Wireless Printer

The Canon PIXMA iP8720 earns its place on this list by delivering 13 x 19-inch print capability with a six-color ink system that includes a dedicated gray ink channel, and it does so at a price point that makes it one of the most accessible wide-format options for screen printers entering the craft or operating on a tighter budget. The 9600 x 2400 dpi maximum color resolution with individual ink droplets as small as 1 picolitre means the iP8720 captures fine detail and smooth gradations with exceptional precision — characteristics that translate directly into clean halftone dots and sharp line work on your film positives. Canon's ChromaLife100 ink chemistry produces dense, stable output, and the black ink in particular delivers strong coverage on transparency media when printed at maximum quality settings.

AirPrint and cloud printing compatibility make the iP8720 easy to integrate into a Mac-centric studio workflow, and standard wireless connectivity handles PC-based environments without friction. The printer itself is designed as a photo-oriented device rather than an all-in-one, which means it lacks scanning and copying capability, but it compensates with a focused print quality that reflects its purpose-built design philosophy. If you need a machine that does one thing exceptionally well — which for screen printing transparency work is exactly what you want — the iP8720's single-function architecture means every engineering decision was made in service of print output quality rather than being compromised by additional feature requirements.

The noise level of approximately 43.5 dB(A) is worth noting for studio environments where multiple people work simultaneously, though this figure is comparable to most inkjet printers in this size category. The iP8720 connects via USB as well as wireless, giving you a reliable fallback connection for high-bandwidth print jobs where wireless stability is a concern. One practical limitation is the absence of an Ethernet port, which rules out direct wired network integration in production environments with existing network infrastructure — though for single-operator studios running a direct USB or wireless connection, this is a non-issue. Canon loyalists who want to understand the broader PIXMA ecosystem will find the best Canon PIXMA printers guide covers the full lineup across use cases.

Pros:

  • 9600 x 2400 dpi with 1-picolitre minimum droplet size for exceptional fine-detail film output
  • Six-color system with dedicated gray ink extends tonal range and improves halftone accuracy
  • AirPrint and cloud compatibility for streamlined Mac and mobile workflow integration

Cons:

  • Print-only design — no scanner, copier, or fax functionality
  • No Ethernet port limits direct wired network integration options
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7. Epson Expression Photo XP-970 — Best Compact Wide-Format Option

Epson Expression Photo XP-970 Wireless Color Photo Printer

The Epson Expression Photo XP-970 rounds out this list as the most space-efficient wide-format option, delivering 11 x 17-inch print capability in a form factor that fits comfortably in a compact studio or home-based screen printing setup where desktop real estate is limited. The six-color Claria Photo HD ink system delivers smooth gradations and accurate black rendering on film media, and the 11-second 4 x 6-inch print speed indicates a fast print engine that keeps pace with moderate film positive production volume. The XP-970's borderless capability extends to its maximum 11 x 17-inch format, which covers T-shirt graphics and smaller poster designs effectively, though if your screen printing work regularly requires film positives beyond 11 x 17 inches, you'll need to step up to one of the wide-format 13 x 19-inch options listed above.

The three-tray paper handling system allows you to keep different media loaded simultaneously — a practical advantage in a mixed-use environment where you're alternating between film transparency output and standard paper proofing without wanting to swap media between every job. Wireless connectivity and standard USB support cover the connectivity requirements for most studio configurations, and the compact, all-in-one design integrates scanning and copying functionality for client artwork digitization and proofing workflows. The scanner component is capable enough for digitizing hand-drawn artwork and physical design references, which is a genuinely useful addition for screen printers who work from hand-lettered or illustrated originals.

The XP-970's position on the list reflects its specific niche: it's the right printer for a screen printer who works primarily with designs that fit within an 11 x 17-inch frame, operates from a space-constrained studio, and values the all-in-one flexibility of a combined printer, scanner, and copier. If your work regularly pushes beyond 11 x 17 inches — and for professional screen printing, it often does — the Epson WF-7710 at a similar price point offers the wider 13 x 19-inch format that gives you more room to work. For studios where compactness is genuinely the deciding factor, the XP-970 delivers the same Claria Photo HD ink quality that defines Epson's photo-oriented line in a footprint that fits where the larger machines won't. Screen printers who want to explore the broader range of compact printing solutions will find more options in the best compact printer roundup.

Pros:

  • Compact form factor with 11 x 17-inch wide-format capability fits space-constrained studios
  • Six-color Claria Photo HD inks deliver smooth tonal accuracy and strong black density on film
  • Three-tray media handling allows simultaneous loading of film and paper without manual swapping

Cons:

  • 11 x 17-inch maximum format smaller than the 13 x 19-inch output of most competitors on this list
  • Cartridge ink system is less economical than EcoTank alternatives at high print volumes
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Choosing the Right Printer for Screen Printing Transparencies: A Buying Guide

Print Size and Frame Compatibility

The single most important specification when selecting a printer for screen printing transparencies is maximum print size, because your film positive must fit within your screen frame's printable area with room for registration marks at the edges. Most standard screen printing frames used for T-shirt production accommodate designs in the 12 x 16-inch range, and a printer that maxes out at 8.5 x 11 inches forces you to either scale down your artwork or tile multiple sheets — both of which introduce registration errors that cost you time and materials. Every printer on this list produces film positives at 13 x 19 inches except the XP-970, which tops out at 11 x 17 inches, and either format is sufficient for the overwhelming majority of screen printing applications you'll encounter in 2026. If you're running oversized prints for large-format signage or banner work, you'll need to step up to a dedicated wide-format plotter, but for garment, poster, and label printing, 13 x 19 inches covers virtually every scenario.

Ink Type: Dye vs. Pigment and Film Opacity

The opacity of your film positive directly determines how cleanly your emulsion exposes, and ink type is the primary variable that controls opacity. Pigment-based inks sit on top of the film surface and block UV light more completely than dye-based inks, which partially absorb into the film substrate and can allow UV light to bleed through thin areas, resulting in underexposed emulsion and blown-out detail. The Epson SureColor P700 uses pigment inks across all channels and delivers the highest film opacity of any printer on this list — if you're burning halftones with fine dot structures or printing thin-line details, the P700's pigment output is noticeably superior. The WorkForce WF-7720 and WF-7710 use a hybrid system with pigment black ink alongside dye-based colors, which gives you strong black channel opacity while keeping color rendering accurate for color separation work. The EcoTank models use dye-based inks throughout, and while their output is excellent for most screen printing applications, pushing the ink density settings in your driver or RIP software is advisable to maximize opacity on film.

Cost of Ownership and Print Volume

Your printer's total cost of ownership over its working life matters as much as the purchase price, especially when you're evaluating options for regular production use rather than occasional hobby printing. A standard inkjet cartridge printer costs less upfront but charges significantly more per milliliter of ink than an EcoTank supertank system, and that per-print cost difference accumulates rapidly once you're pulling dozens of film positives per week. The Epson EcoTank ET-15000 and ET-8550 both use refillable reservoir systems that reduce per-print cost to a fraction of cartridge alternatives, making them the economically rational choice for studios with consistent print volume. The SureColor P700 uses higher-cost professional ink cartridges, but the output quality justifies the expense if your work demands professional-grade film positives and you can price that quality into your jobs accordingly. For occasional or low-volume printing where cartridge cost is less significant, the Canon iP8720 or Epson XP-970 deliver strong results without the premium investment.

Software, RIP Integration, and Driver Settings

The printer hardware produces the output, but the software stack between your artwork and the print head determines how well that output serves your screen printing workflow. Most professional screen printing studios use a dedicated RIP (Raster Image Processor) software solution to drive their transparency printer, because RIP software gives you direct control over ink density curves, dot gain compensation, and channel output that standard printer drivers don't expose. Epson's printers have broad RIP compatibility across platforms including AccuRIP, Wasatch, and Filmgate, and any printer on this list will work with a RIP solution if you invest in one. If you're working without a RIP, the critical settings to adjust in your standard printer driver are the black ink density or output level — typically found in the advanced or custom settings — and enabling maximum ink or highest quality mode specifically for the transparency film media type you're using. Running a test sheet and holding it up to a bright light source to check for light bleed is the most reliable way to validate your driver settings before committing to a full film positive production run.

Questions Answered

What type of printer works best for screen printing transparencies?

Inkjet printers with pigment-based or high-density dye-based inks work best for screen printing transparencies because they produce the dense, UV-blocking black coverage necessary for clean emulsion exposure. Laser printers can also work for basic spot color work, but inkjet output on dedicated transparency film media delivers superior opacity and edge sharpness for halftone and fine-line detail. Epson's wide-format inkjets — particularly the WorkForce and EcoTank lines — are the most widely used in professional screen printing studios in 2026.

Can I use regular paper in a screen printing transparency printer?

Yes, every printer on this list handles standard paper for proofing, drafts, and document printing in addition to specialty transparency film media. The key is loading the correct media type in your printer driver settings so the print head adjusts its ink output profile for the film surface rather than defaulting to paper absorption settings. Running transparency film with paper settings active can result in excess ink pooling on the film surface or insufficient density — always select the correct media type in your driver before printing film.

Do I need a RIP software to print screen printing transparencies?

RIP software isn't strictly required, but it dramatically improves your results by giving you direct control over ink density, halftone dot reproduction, and output curves that standard printer drivers don't expose. For simple spot color work with solid fills, a well-configured standard printer driver produces acceptable film positives from any printer on this list. For halftone work, fine-line detail, or multi-color separation printing where dot gain and density uniformity matter, investing in a RIP solution like AccuRIP gives you the control that separates professional results from amateur output.

What transparency film should I use with these printers?

Inkjet-compatible transparency film or inkjet vellum specifically designed for wide-format inkjet printers is the correct media choice for every printer on this list. Standard overhead projector acetate is not inkjet-compatible and will cause ink beading, pooling, and smearing. Look for products specifically labeled as inkjet transparency film or inkjet film positive media, and match the film width to your printer's maximum input width. Epson's printers in particular perform best with media that includes a specific inkjet coating on one side — load the coated side facing down toward the print head for correct ink adhesion.

How do I improve black ink density on my film positives?

To maximize black ink density on your transparency film, start by selecting the correct media type in your printer driver — choosing matte photo paper or similar specialty media settings increases ink output compared to plain paper settings. In your driver's advanced or custom mode, increase the black ink density or output level to the maximum available setting, and if your driver offers a color management option, disable automatic color correction and drive the black channel at full saturation. Running a dedicated RIP software solution gives you the most precise control over these settings, but driver-level adjustments alone produce a significant improvement over default settings on any printer in this lineup.

Is the Epson EcoTank worth it over the WorkForce for screen printing?

The Epson EcoTank ET-15000 is worth the investment over the WorkForce WF-7710 or WF-7720 if your print volume is high enough that ink cartridge costs represent a meaningful ongoing expense. The EcoTank's supertank reservoirs cost significantly less per milliliter of ink than replacement cartridges, and that cost advantage compounds rapidly once you're printing dozens of film positives per week. The trade-off is that EcoTank printers use dye-based inks with slightly lower raw opacity than the WorkForce's pigment black channel, though this difference is negligible for most screen printing applications with proper driver settings. For high-volume studios, the EcoTank's economics are compelling; for lower-volume users who prioritize maximum black density without ink cost optimization, the WorkForce WF-7720 is the stronger technical choice.

Key Takeaways

  • The Epson EcoTank ET-15000 is the best overall choice for studios printing transparencies at regular volume, delivering 13 x 19-inch output with the lowest long-term ink cost of any printer on this list.
  • The Epson SureColor P700 is the professional-grade benchmark, with its 10-channel pigment ink system and dedicated Matte Black nozzle delivering the maximum black density and consistency that demanding halftone and separation work requires.
  • The Epson WorkForce WF-7720 hits the best balance of wide-format capability, pigment black ink performance, and dual-tray media flexibility for studios that need a reliable all-in-one production workhorse.
  • Regardless of which printer you choose, maximizing your film positive quality comes down to using inkjet-compatible film media, selecting the correct media type in your driver, and considering a RIP software solution if you're printing halftones or fine-line detail at production volume.
Marcus Reeves

About Marcus Reeves

Marcus Reeves is a printing technology specialist with over 12 years of hands-on experience in the industry. Before turning to technical writing, he spent eight years as a service technician for HP and Brother enterprise printer lines, where he diagnosed and repaired thousands of inkjet and laser machines. Marcus holds an associate degree in electronic engineering technology from DeVry University and a CompTIA A+ certification. He is passionate about helping home users and small offices get the most out of their printers without paying ink subscription fees. When he is not testing the latest cartridge refill kits, he tinkers with vintage dot-matrix printers and 3D printers in his garage workshop.